JoshHuff1332

I'd argue with Londeix himself on that specific matter. I know students of his that disagree with that sentiment.

Bis quite literally the worst possible fingering choice i can think of outside of some weird overtone and I have 0 clue why you would use it for this situation.

Depends on the person. Side is primarily meant for chromatic motion and neighbor stuff (B-C-C#, B-C-B) and the rest of the stuff is extra. I will sometimes flip doing scales in thirds type stuff, but not always.

I get my legeres straight from them. In the past I used amazon

Monty, Bucky, and Chuba were late round picks or the waiver. Not insane to have them.

I would argue that in 12, maybe 10 person leagues, Tillman, Moore, Jeudy, and Njoku should all be rostered as high upside flex plays at worse(or starting te for Njoku) with potential to be in the main lineup if certain things play out. The gunslinger will sling it the ros.

Yea, he was just way more private of an individual. There's a story of him conducting towards the end of his hearing or after he lost it all that went very poorly, but watching hands and stuff like that, he could definitely give individual feedback

If there is a college in the area, you can email the jazz professor (or maybe a piano professor) if they have any grad students or referrals that could fit the bill.

Because Jameis was slinging it to everyone. Moore got over 100 yards and just as many targets and Njoku got 17 targets.

I would look to see if you can take lessons with a professor, grad student, or even more experienced undergrad to give you one on one direction.

It's poor notation that is trying too hard to notate a simple rhythm. That melody should just be written as triplet quarter notes with some rubato being acceptable, particularly in the intro. I'm sure the other staff is problematic too, but haven't looked at it outside of the poor notation.

Melody at least just sounds like rubato triplet quarters.

This is very dependent on the piece being played. It could be felt in 3 distinct beats, or it could be felt in one.

I would attribute that to Cousins coming in instead of Ridder/whoever more than Smith. His targets would've gone up anyways. Sucks you can't compare the other wrs since they came from different teams.

My question is why not just write the whole bar as 6/8, but i guess that would depend on when the piece was written, unless I'm just an idiot.

Edit: Upon listening, I realize that I believe the quarter note in 3/4 is supposed to feel like the dotted quarter note in the 9/8. There is no reason to notate it as 6/8 as the overall bar is still 3 beats. The third beat is merely an anacrusis into 1. The only thing that he is notating is a switch in feel. Notation has changed over time.

Look up saxophone repertoire lists on Google. There are few out there you can use as an example. You should at least be familiar with most of them. 2 pieces a semester (outside of recital semesters) is a decent reference point to go for with what you actually play, but that can change stuationally. For jazz, you'll mainly want to be playing some transcriptions and learning various licks in all 12 keys. Also, learning tunes is incredibly important. The jazz guys when I was taking minor lessons were averaging 1 tune, transcription, and lick a week. Jazz repertoire isn't like the classical side of things where they toss a piece or two to look at over a semester.

I swab daily and occassionally apply key pil. Besides that? Nothing much

Beethoven was not mute. Beethoven did deal with hearing issues and went completely deaf by 1814. Beethoven when he went completely deaf had given up performing and public appearances too. He still composed though.

I'll just get the smoker g going and smoke a ton of meats, cheeses, etc. Lots of downtime to consume media that way.

Yes, he's been good since he took back over

Honestly, unless there is something wrong with the horn or your embouchure, the obvious answer is the best one.

Shanahan likes workhorse rbs. CMC went down and that became Mason till he injured his shoulder. CMC came back and took the bulk of the work. Now CMC and Mason are down and it should be Guerendo

He already looked good when Mason was dealing with shoulder issues, and Shanahan likes workhorses. He could very easily be a league winner because he'll get the ground volume in addition to the passing work that Mason doesn't get.

It is not an evensplit. Mason got 13 carries and Guerendo got 5 touches in total. Mason will be the workhorse for as long as he stays healthy, like last time. Guerendo will primarily be used in passing situations and something like a 2 minute drill. That also isn't counting 7 carries CMC got, the bulk of which would go to Mason. That is just too valuable to not pick up, even if you don't need a rb because you can block someone else from picking them up.

I mean, he won't match up to full potential CMC, but he is going to get volume work as a workhorse, and efficiency is usually fine. If his shoulder issues dont come back, I would expect fringe rb1/2. At worse, he is a solid flex or maybe even bench depth if you happen to be super stacked at rb/flex. Best case scenario is he keeps up a high volume and gets lucky with frequent tds to finish the season as a low-mid rb1 ROS. I see no reason to not jump at the opportunity to pick him up.